WARNING: This video is Not Safe For Work and contains some graphic nature, so people with queasy stomachs beware!
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Last month at the live show at Fergie's Pub, we learned how to dress mysteriously.
The Grand Opera House in Wilmington, Delaware will hold a comedy competition on September 19th at 7PM. The first 25 comics/groups that apply by e-mailing inthespotlight@grandopera.org will perform.“I wish I could say this story is true but it's not. Since Gregg posted this entry I've gotten a few e-mails asking if I have an aircheck of this show and for the life of me couldn't remember EVER calling a listener's mother - even a crank caller's mother.
As much as I'd like to take credit for that, I just confirmed with Ken Freedman, WFMU's General Manager, that it was actually Gerard Cosloy - future record executive - who phoned Gregg's Mom and recorded the call, later playing it on the air. Gerard had filled in for me on "Aerial View" (not "An Aerial View") a bunch of times and I suppose had gotten fed up with the cranks (I just hung up on them and kept going - acknowledging a crank is the worst thing you can do).
“I hate to take issue with Chris T. -- - a person I greatly admire and one of my own heroes in broadcast (Deborah Norville finishing a close second), but some portions of this story are incorrect.
It is true that I filled in for Chris on "Aerial View" on at least one occasion, and it is also true that I tangled with some prank-y calls on said show.
While I did indeed reveal one of the prankster's numbers (via the auspices of caller ID), I neither called their mother nor tape recorded any phone call. I only gave out said number over the air after warning them that's just what I'd do if they kept calling.
Later, I was told by station management the caller's parents were getting calls from other listeners in the middle of the night, and they'd threatened to contact the FCC (!) over this violation of their privacy.
I was suspended for a month.
Much as I appreciate Ken Freedman's 2nd hand praise, I'll submit that my own program had no shortage of listeners and I had "come into my own" (hands? hat? condom?) several years prior.
My stint subbing for Chris T. was not my last show on WFMU. I did at least 2 more episodes of my own program after my suspension, at which point I quit the station.
I did, however, return several years later and did a number of mid-week fill-in shows for various WFMU dj's.
Finally, I take exception to Chris' description of me as a "future record executive". At the time of my WFMU suspension, my day job at co-owner/moaner of Matador Records was exactly the same as it is today. It's kind of a romantic notion that ratting out Chris' profane listeners was the launching pad to an even bigger gig in the entertainment business, but it simply wasn't the case.
best wishes,My reactions: Holy fucking shit do I rule! First, I knew a response from someone tied to WFMU was possible. But a response from Gerard Cosloy? I would rank Pavement somewhere around 6th or 7th as my all-time favorite band. I spent an entire two years of college (junior and senior years) listening to all of their releases, even Wowee Zowee.
Gerard Cosloy”
“Tilden was NOT a closeted homosexual...just because he never slept with a woman doesn't make him Gay...Nikki Oldaker, Author”In turn, after doing extensive (and psychotic) research on Ms. Oldaker, I discovered her book was self-published and at one time she ran for Congress. I wrote my own response to Ms. Oldaker, which follows:
“Calling yourself an author when you self-published your book ruins your credibility. I can call myself a writer since I've actually been paid to write on subjects which other people have published. You're not an author. You own a publishing company and published your own material. That's the equivalent of writing a poem, photocopying it a bunch of times, handing it out at a bus station and claiming to be a poet.And lastly, but most importantly, another controversy came from the epic tale of my appearance on the PBS game show “Where In The World Is Carmen Sandiego?” Google searches done by various people who read the piece indicated my nemesis on the show, Ilan Goldenberg, may actually be a well-known Middle East analyst who works for several think tanks and also writes for the highly influential political website The Huffington Post.
Did you have your facts checked by an independent source? Did you even have an editor review your work? How much did you rely on Wikipedia for your research? Do you have any background at all as a historian?
The answer to that is no, according to the biography on your website for your Senate campaign. You worked at a beauty salon, at a hotel, as an auditor (most likely uncertified), a "WEB" publisher and as a "screen writer/producer."
According to the summary of your book on Amazon, you write about how he won by over 264,000 votes. This is true. But so what? We have an electoral college which is what really matters. If you focused solely on the popular vote then you are misrepresenting the facts of the story.
Also, in the summary you cast the blame of The Compromise of 1877 on a NY Times editor and the Republican Party. The Democrats were just as complicit in the affair. Casting blame on one political party shows a gross bias.
Uhm, never sleeping with a woman but not being out probably means he was closeted.
I quote historian James Fisher.
"Samuel Tilden was either asexual, or he was the first gay man to run for president."
Also, "gay" shouldn't be capitalized and you use elipses too much.
I'm guessing you probably hate the modern day Republican party and are using your views of today to criticize an event with happened two centuries ago with an entirely different political climate. That's like comparing apples and oranges and, frankly, anyone writing about history should know better.
Have fun pitching your work to C-Span's "Book TV." And I also wish you luck trying to turn your book into a feature film.
But from the facts I have learned about you (and your awful grammar) and from what little I can ascertain about the book, it seems like it's absolute tripe.
... Gregg Gethard, Comedian.”
SO FAR IN THIS LITERARY ADVENTURE: Doogie built a time machine with the intention of traveling back to 1894 London and watching H.G. Wells write the first page of his science fiction classic, The Time Machine. Instead he ended up in colonial Philadelphia, where he lost a fight with a pygmy farmer and his battle ogre (who hit Doogie with a bathtub). Doogie woke to find himself a captive in the farmer’s basement, where the farmer raised hobos like cattle and fed them to a race of Molemen™, who traded him gold for human flesh. We are pleased to present director Errol Morris's little-known short film "Fog of Love." As you might know, Morris is much more famous for creating the documentary Fog of War, which features former US Secretary of Defense Robert McNamara discussing the lessons he learned from the failure of the Vietnam War. What many people do not know, however, is that Mr. Morris only created Fog of War to hide the fact that he, Erroll Morris, actually himself caused the Vietnam War to fail through a combination of voodoo, bad eating habits, and the murder of a butterfly that was about to flap its wings in Africa.
After the Fog of War, Morris's sole desire was to put the war behind him and create a chick flick starring Julia Roberts or, at the very least, Hugh Grant in a Julia-Roberts-style wig. He was unable to find funding for the project, however. Broke, eating poorly, and considering performing voodoo again, Morris instead decided to use discarded footage from the Fog of War to create his opus "Fog of Love." Misunderstood by audiences who expected a chick flick and disdained by critics who were looking for a hard-hitting documentary "Fog of Love" has been mostly forgotten...until now. Enjoy.
It's time again for the Philly Improv Theater's week at the Shubin Theatre (407 Bainbridge St). The week actually kicked off Monday with our show (thanks to the comics and everyone that came out, it went swimmingly!), but the meat of the week is still yet to come. For tickets, visit the Philly Improv Theater's website.On July 4, 1776, a new nation was created. A land where anyone could have a dream. A land where anyone could practice the religion of their choice without fear of oppression. A land where Tila Tequilla would one day have caged members of both genders fighting for her consideration. This nation is called AMERICA.Set to perform are Jon Goff, The Sixth Borough, Secret Pants, Meg and Rob, Chip Chantry, Jamie Fountaine, Charles Rosen and friends, Chris Morganti and friends, Pete Celonia/Chelsea Vidaurri, special music guests Emily and Micah McGraw and a video by us, Comic Vs. Audience!
10 p.m. – Why Am I Not Famous?!?: A Comedy Talk Show w/ Kent Haines, $5. Kent welcomes guests comedian Doogie Horner and musican Look Alike in the inaugural installment of his new talk show. His plan for the show: "I'll have an opening segment where I win the crowd over. I call it my 'making fans' segment. Usually I'll let the people get to know me a little better, or I'll do a song and dance number. Then I'll interview some guests and ask them to perform their little bits or whatever."
Ladies and gentlemen, the day has finally comedy for our own comedy show! Come on out TONIGHT for stand-up comedy by four stand-up comedians. Here, once again, are the details:
Paul T. of Secret Pants recently talked to Philebrity.com about his website LarryMendteIsNotACriminal.com. And, Secret Pants will be opening for comedian turned country singer Neil Hamburger August 7th at Johnny Brenda's.
SO FAR IN THIS LITERARY ADVENTURE: Doogie built a time machine with the intention of traveling back to 1894 London and watching H.G. Wells write the first page of his science fiction classic, The Time Machine. Instead he ended up in colonial in Philadelphia, where he lost a fight with a pygmy farmer and his battle ogre (who hit Doogie with a bathtub). Doogie woke to find himself a captive in the farmer’s basement, where the farmer raised hobos like cattle and fed them to a race of Molemen™, who traded him gold for human flesh.