2. When and why did the lightbulb go off in your head about creating C vs. A?
I was actually listening to a Paul F. Tompkins interview on 'The Sound of Young America' and PFT was talking about his early days doing comedy in Philadelphia. It got me thinking about how NYC, Chicago and L.A. are the hot spots for comedy, but every city has their own local scene. So I looked around more and saw there were blogs in these other cities but nothing in Philly. And actually, there was almost no coverage of comedy in Philadelphia, the weeklies and dailies ignored it for the most part. So putting together a website to cram it into everyone's head until they couldn't ignore it anymore seemed like a good idea.
3. You and I both share the same awesome taste in music -- DIY punk/indie/power-pop, etc. Do you see a link between the music you grew up listening to and to everything going on w/ Philly comedy?
There's definitely a DIY energy with everyone starting their own shows and not waiting for some kind of producer to do it for them and people like having total control over what they do. Plus, almost everyone has grown a mohawk at some point and put Xs on their knuckles. We've all gotten into fights and kicked someone in the face with our Doc Martens. A lot of shows are $5, just how Ian MacKaye would've liked it. (I got bored with this answer after the first sentence)
4. What have some of your favorite memories the past year been? Is there anyone you think deserves a little of the spotlight cast on them who has been under the radar?
Well, everyone is still under the radar at this point, so I don't know how I can answer that. But as far as highlights- I'd say the Philly's Phunniest Contest was great not just because Kent won, but because a lot of other comics really stepped up their game and you could definitely see a leap in their performances. The material was always there, but with the extra confidence of advancing, a lot of comics did considerably better and it was awesome to see.
All of the other shows had their moments: Ministry of Secret Jokes, Die, Actor, Die, Bedtime Stories. The 24-Hour Comedy Marathon was fun and the last Philadelphia Improv Festival was great. The Helium open mic can make me laugh so much sometimes. There were a lot of other good one-off shows, too.
5. Who do you think would win in a fight -- me (producer of Bedtime Stories) or Don Montrey (producer of Die Actor Die) or Doogie Horner (producer of Ministry) -- and why? Feel free to discuss how those guys would kill me in a fight.
Nothing against you or Don, but definitely Doogie. I just think he'd come with so much more fury than either of you. And have you seen the Ministry of Secret Jokes website? He's a little dark as it is. (This was a tough question because no matter what I say someone's going to be pissed off. So, sorry).
6) You perform stand-up yourself. (And, as the readers might not realize since you are allergic to self-promotion), but you're have really improved a lot the past few months. I really like your stand-up because A) you're not afraid to talk about basketball b) you mention Canned Heat and c) you have an understated/quiet style that really stands out.) What makes you say "Hey, that's not a bad bit for a joke" or "I really like this as a joke." I also forbid you from using the words "absurd" or "observational" in your answer.
Wow, what a question/paragraph. Um, I talk about stuff that I find funny, that's my main rule. It has to feel right when I say it because if it doesn't but it still gets a laugh, I won't do it again (if that makes any sense at all). And then I make sure it isn't an idea that's been done a zillion times before. That's about it really.
7) What do you think is the next step for Philly as a comedy city? What do you think we're missing that we need to do to get to "the next level?" Also, what exactly is our next level?
There have to be more quality open mics that get crowds. Comics need to be able to try new stuff and to experiment, but it's hard when you only get up once or twice a week. Because quality stage time is so few and far between, it's easy to rely on what you know works instead of trying new stuff, or to expand or hone something the way it should be.
The other next level, in my opinion, is just to fill up our local shows. It's kind of hard to be seen by industry here because there isn't any, but there are millions of people in the area that can come out to shows. Everyone likes to laugh, right? If you fill up shows and have people be excited about comedy and really want to be there like in New York, that would be awesome.
8) If there was one comic (stand-up/sketch/etc.) you wish would move to Philadelphia and take the local scene here under his/her wing, whom would you wish for?
(Great, a question that makes me look like a jerk for talking about someone I don't know) I would say probably Todd Glass, who is from Philly originally. He seems to be really supportive of younger comedians and it seems like he really loves and cares about comedy.
9) Who, right now, is the defining comic (not just stand-up, but in general) of the moment? Judd Apatow? Tina Fey? Steven Colbert? Am I missing someone completely? And explain WHY to your answer.
Golly, I don't know. I think Jimmy Pardo is so much funnier than everyone else and it doesn't even feel like material when he performs. Stephen Colbert is certainly something different. Louis CK is doing some new things with stand-up and will be really influential for some time to come.
10) Your favorite period of architecture: Baroque or neo-Classical?
Don't paint me into a corner on this one! I'm a fan of the minimalism of Mies van der Rohe and the post-modern-whatever of guys like Frank Gehry. But if I had to pick between the two, I'd say Baroque.
Creator J.P. Hasson has been doing it since the early 90s. During his high school years in the Seattle area, Hasson would mess around on his dad's Yamaha sequencer. "I would hang out and smoke pot in my parents' garage. I'd compose little MIDI things on it and then improv straight to tape." He continues: "I've always been a huge TV commercial and theme song junkie. When I would watch TV with my sisters, we would all watch the show and then I would watch them when the commercials came on. Just to see how they would react to certain things." That would explain the healthy amount of songs for fake companies like "No Prob Limo", "Pizza Brothers & Sons Inc.", and "Randy Normal Jeans". "They're real companies," Hasson says. "I own 117 companies. I figure if one can get off the ground..."
THURSDAY: Center City Comedy: 
